Description: Tramite il medium pittorico vengono messi in chiaro relazioni e sentimenti legati al quotidiano e alla vita domestica. Prendo spunto da scatti fotografici realizzati all’interno nel mio nucleo familiare e scelgo di ritrarne solo alcune parti ricollocando la scena in ambienti costruiti, stanze chiuse talvolta claustrofobiche caratterizzate da colori forti e contrastanti, griglie e costruzioni geometriche nette. Alla scena aggiungo elementi ed oggetti assurdi o estranei al contesto che compaiono improvvisamente nel flusso di pensiero durante le fasi di realizzazione del lavoro.
This painting series analyzes relationships, feelings related to everyday domestic life. Starting from photographs taken inside the artist household and deliberately choosing to portray only certain parts of it by relocating the scene in built environments, sometimes claustrophobic rooms characterized by strong, contrasting colors and sharp geometric constructions. The artist adds to the scene absurd elements or objects that are extraneous to the context, that suddenly appears in the flow of thought during the phases of realization of the work.

Se i muri potessero parlare
If walls could talk

Description: Tramite il medium pittorico vengono messi in chiaro relazioni e sentimenti legati al quotidiano e alla vita domestica. Prendo spunto da scatti fotografici realizzati all’interno nel mio nucleo familiare e scelgo di ritrarne solo alcune parti ricollocando la scena in ambienti costruiti, stanze chiuse talvolta claustrofobiche caratterizzate da colori forti e contrastanti, griglie e costruzioni geometriche nette. Alla scena aggiungo elementi ed oggetti assurdi o estranei al contesto che compaiono improvvisamente nel flusso di pensiero durante le fasi di realizzazione del lavoro.
This painting series analyzes relationships, feelings related to everyday domestic life. Starting from photographs taken inside the artist household and deliberately choosing to portray only certain parts of it by relocating the scene in built environments, sometimes claustrophobic rooms characterized by strong, contrasting colors and sharp geometric constructions. The artist adds to the scene absurd elements or objects that are extraneous to the context, that suddenly appears in the flow of thought during the phases of realization of the work.
Technique used: pittura acrilica e olio su tela
acrylic and oil paint on canvas
Dimensions: dimensioni varie
various dimensions
Production year: 2016, in corso
ongoing

Contact the artist

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Se i muri potessero parlare
If walls could talk

Tecnica utilizzata: pittura acrilica e olio su tela
acrylic and oil paint on canvas
Dimensioni: dimensioni varie
various dimensions
Anno di produzione: 2016, in corso
ongoing

Contatta l'artista

SUBSCRIBE TO NEWSLETTER

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Se i muri potessero parlare
If walls could talk

Technique used: pittura acrilica e olio su tela
acrylic and oil paint on canvas
Dimensions: dimensioni varie
various dimensions
Production year: 2016, in corso
ongoing

Contact the artist

Maria Giovanna Morelli

BIO BIO BIO

Maria Giovanna Morelli (1978, Ravenna) graduated in Construction Engineering Architecture in Bologna. Her studies allow her to range across different media and materials,

such as installation practices and more traditional techniques like painting, drawing, and ceramics.

Her work has been exhibited on several occasions in national exhibitions and awards: in 2019 and 2017 she was selected for Arte Laguna Prize in Venice, in 2019 she was among the finalists for the Combat Prize on show at the Museo Fattori in Livorno.

In 2022 she took part in the workshop/residency promoted by RAMO and Untitled Association “Ritratto a Mano 7.0” with Monica Lundy and Daniele Puppi at the Ex Convento delle Clarisse in Caramanico Terme.

STATEMENT STATEMENT STATEMENT

Maria Giovanna Morelli’s artistic work oscillates between grotesque and monstrous imagery and a more fairy-tale world of soft figures and pastel colors. Sometimes ambiguous shapes hint at a veiled and never explicit eroticism. The reference to the human body often conceals an ironic approach, with a hint of cynicism that permeates her entire production.

The fundamental themes that run through much of her artistic research include family, motherhood and autobiographical cues.

Easily readable in the painting where figures sometimes become shapeless, fleshy masses, other times children’s bodies playing in geometric and flat environments that cross the domestic space.

The absolute protagonist in both painting and sculpture is colour. In painting, it is used as a material to create masses and backgrounds that leap out of space in strong bold chords, while in small sculptures it becomes a decorative element and the tonal chord becomes gentle and elegant.